The canvas-like vessel forms used here serve as containment rather than destination. Their role is to hold space for movement — to frame shifting glaze, layered oxides, and mineral reactions as they unfold. These forms provide enough structure to focus the eye, while remaining quiet enough to let the surface speak.

At this stage, the collection centers on earthen canvases, including the Elemental Alchemy triptych (Earth, Water, Air) and related works. Together, they establish a shared visual language — one rooted in elemental exchange, transformation, and balance. As this language deepens, the intention is for the work to evolve beyond these initial forms, allowing the surfaces themselves to suggest more sculptural expressions.